On the other hand – spicy, India, Morocco, languid and bubbling paint, Thailand. However, for many furniture in colonial style, although there was a certain pattern, but in practice more than being "an amateur". Compromise, uniting North and South, East and West, while thought to be simple and bright hues of natural colors – ocher, henna, indigo, cochineal and others, accompanied by a traditional wood and metal. And if you do not forget the classic proportions of 60-30-10, where 60% is the main color, 30% – the color of the companion, and 10% – color accents (this role can do the dishes, linens, and sometimes accessories), was obtained remarkably harmonious kitchen for its time, a glance at which was enough to understand: the owner – a man a modern, dynamic and has a zest for life. Another fact is surprising how way in the middle of all this fun, carefree, like then-life, still life composed of immature olive-colored facades, passion, red tomatoes and mosaics, prepared for the winter eggplant caviar, professionals and Consumers have noticed a modest kitchen with warm shades of color gamut. This kitchen and created a powerful movement of kitchen units, adhering to the ideology of pale tones. We are not accidentally so much attention paid to their recent color memories. On the one hand, like to draw attention to the fact that the color-concept fashion and too volatile, and with another – the brightness of color in many respects, probably depends on the brightness of the surrounding life.

Tags: ,

Comments are closed.

  • « Older Entries
  • Newer Entries »